Ontwerp voor een taartschep by Mathieu Lauweriks

Ontwerp voor een taartschep 1913

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drawing, pencil

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drawing

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art-nouveau

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pencil sketch

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geometric

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pencil

Dimensions: height 338 mm, width 207 mm

Copyright: Rijks Museum: Open Domain

Curator: Let’s turn our attention to this lovely pencil sketch. The piece we're looking at is titled "Ontwerp voor een taartschep," or "Design for a Cake Server," created in 1913 by Mathieu Lauweriks. It embodies the principles of Art Nouveau in its exploration of geometric shapes. Editor: Wow, it’s a technical drawing, but so stylish. The symmetry is very satisfying; like looking into a mirrored kaleidoscope, or, naturally, a slice of delicious cake! It's very precise yet the artist allowed for beautiful flourishing detail at the center. Curator: Absolutely. Lauweriks was deeply influenced by mystical traditions and sought to reveal underlying mathematical structures within natural forms. This drawing exemplifies that philosophy, attempting to reconcile geometry with organicism. Notice the repetition of shapes, forming almost a rhythmic composition within the sketch. We must consider its significance beyond mere design. Editor: Yes, there is something a little bit witchy about all the geometry and mirroring and that strong central verticality... A sacred tool or some other ceremonial object of mystical proportions? My imagination drifts away...I can almost hear a Wagnerian chord swell in my head. Curator: It certainly resonates beyond the everyday, and situating this object amidst its cultural context of the early 20th century opens dialogue with emerging industrial design while embracing the beauty and ornamentation rejected by modernism. There's tension, too, within a moment rife with gendered, nationalistic ideals of design production and aesthetic tastes. Editor: Thinking of those early 20th-century anxieties reminds me that behind its beautiful ornamental presentation and very proper use there is, somehow, still, something decadent at play with this artifact. Cakes and geometries, yes, but with dark, twisting baroque undercurrents, somehow, to enjoy as well. What more could one want? Curator: The opportunity to explore those intersections of social tension through objects such as Lauweriks’ work is enriching; I concur. It really opens this deceptively "simple" diagram. Editor: Absolutely, and, well, now I am simply craving something deliciously elaborate...preferably delivered with the assistance of a beautifully crafted silver server. Let us leave, then, in search of cake and fresh revelations, I suggest!

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