Boomstudie 1637 - 1678

Willem Schellinks made this tree study in the 17th century, using black chalk on paper. Schellinks’s method is highly attuned to his subject; the soft, powdery nature of the chalk allows him to capture the diffuse light filtering through the leaves. You can almost feel the texture of the bark, rendered with quick, confident strokes. This wasn't just a casual sketch. It was a careful exploration of form and light, demonstrating his skillful handling of the chalk medium and understanding of the landscape. Think about the labor involved: Schellinks had to source his materials, prepare his paper, and then spend time observing and translating the complexities of nature onto a flat surface. Each mark is evidence of the artist's hand, his decisions, and his deep engagement with the natural world. It’s a reminder that even the simplest drawings can be the product of significant time, effort, and expertise.