Monument opgericht na het vertrek van de Britse en Russische troepen in 1799 by Arnoldus Johannes Eymer

Monument opgericht na het vertrek van de Britse en Russische troepen in 1799 1837

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drawing, pencil

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pencil drawn

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drawing

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neoclacissism

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light pencil work

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landscape

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pencil

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pencil work

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realism

Dimensions: height 173 mm, width 224 mm, height 86 mm, width 245 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this drawing, "Monument opgericht na het vertrek van de Britse en Russische troepen in 1799," was made in 1837 by Arnoldus Johannes Eymer, using pencil. It's a pretty stark landscape; the monument dominates, but the sketchy lines give it a dreamlike quality. What do you see in this piece? Curator: Ah, yes, a monument to absence. Isn't it curious how something built to commemorate victory ends up feeling so…lonely? I see a vast, almost melancholic landscape. The monument itself, a Neoclassical structure, stands defiantly, yet the delicate pencil strokes suggest impermanence. Like a whisper of what was, fading into time. It's like Eymer is not celebrating triumph, but reflecting on what's left behind – an echo, perhaps, of a tumultuous period. The seemingly mundane depiction, devoid of bombast, really heightens the human element of the situation, doesn't it? Editor: That's interesting, "monument to absence." I was focused on the historical context, but you're right, there's a real sense of quietude. The light pencil work gives it a fleeting quality. Is it meant to feel incomplete? Curator: Perhaps not incomplete, but certainly not finished, either. Like the story itself is ongoing, beyond just victory and defeat. It exists in a liminal space. What do you think? Is there a human element there? Is it more to do with the political, and the story around this landmark, that he wants to make present? Editor: I do see the political element, the event. And I agree. Focusing on its "unfinished" and ephemeral nature is more reflective of this ongoing historical interpretation...it also makes the landmark very personable, I think! Curator: Absolutely, the landmark isn't just an inert stone marker; it’s a testament to the past shaping an evolving narrative! Editor: Well, I definitely see this work with a completely different, more thoughtful eye now! Curator: It is quite rewarding, unearthing the stories tucked away within pencil lines!

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