Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Oktober 1807, No. 25 : Chapeau paré de Plumes panachées... by Anonymous

Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Oktober 1807, No. 25 : Chapeau paré de Plumes panachées... 1807

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drawing, print, engraving

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portrait

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drawing

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neoclacissism

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print

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genre-painting

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dress

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engraving

Dimensions height 206 mm, width 122 mm

Editor: This is a print from 1807 titled "Elegantia, of tijdschrift van mode, luxe en smaak voor dames," currently held in the Rijksmuseum. It depicts a woman in fashionable dress. The colors are so muted, and the overall feeling is very reserved and proper. What do you see in this piece, especially concerning the fashion itself? Curator: It's fascinating how fashion, in its details, becomes a coded language reflecting cultural anxieties and aspirations. Notice how the high-waisted dress, almost Grecian in its simplicity, clashes with the elaborate hat and neck covering. It’s a period of revolution, literally and figuratively. Editor: Revolution? How so? Curator: Well, consider what the French Revolution did to notions of class and excess. Suddenly, overt displays of wealth became dangerous. The simple dress embodies a republican ideal, a supposed return to classical virtue. However, the flamboyant hat—*chapeau paré de plumes panachées*— and elaborately patterned neck piece fight against the plainness of the dress. Why cover the neck like that? Editor: Perhaps to show status subtly? Or to offer some visual excitement without appearing too ostentatious? Curator: Exactly. Think about the symbolism: feathers suggesting flightiness or frivolity versus the rigid, almost militaristic structure of the high neck. The accessories whisper of privilege and pre-revolution aesthetics, while the silhouette tries to blend in with the emerging egalitarianism. This reflects an anxiety about appearing too rich or out-of-touch. Editor: It's like a battle being waged on the body itself! I never considered how much these small visual cues could tell us about societal tension. Curator: Indeed! This "genre painting" goes further than simply reflecting trends of dress; it is reflective of historical tension. The power of images is that they are carriers of cultural memory and conflict. The dialogue between "republican" simplicity and aristocratic flair embodied in her hat is so compelling!

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