Crucifix 1938

Carl O'Bergh made this watercolor of a Crucifix, and it's more than just a picture. You can tell he painstakingly worked at rendering the wood grain and figure, stroke by stroke, mixing just the right color to match his source. I wonder what O'Bergh was thinking as he worked? It is so humble in a way, not trying to be flashy or profound. Just trying to record something, but what? Was he religious? Was he just fascinated by the form? Look how he takes his time with the little details. The way the pigment pools in some areas, or how he suggests the texture of the wood with subtle variations in tone. The drips of red are a nice touch – they add a splash of drama to an otherwise pretty restrained piece. O'Bergh’s quiet take on this sacred subject reminds me that art isn't just about grand statements; sometimes, it's about the simple act of looking and recording with care. It’s like he's saying, "Hey, let's slow down and really see this thing."