Card Number 579, Grace Chase, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s
drawing, print, photography, collotype
portrait
drawing
photography
collotype
19th century
Dimensions Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)
Curator: Here we have a collotype print, “Card Number 579, Grace Chase,” part of the “Actors and Actresses” series published in the 1880s by W. Duke, Sons & Co. It was a promotional insert for Cross Cut Cigarettes. Editor: It's quite captivating! There's an immediate stillness in the portrait; the soft sepia tones contribute to a sense of wistful contemplation. The image is contained within the cigarette card’s neat rectangular form. Curator: It's fascinating how these ephemeral objects provide a snapshot of beauty ideals and celebrity culture of the time. A trading card of Grace Chase would have held the potential to embody both the real person and also stand as a symbolic marker. Editor: Yes, her gaze directed just off-center, conveys an almost classical romanticism. The texture of her dress and hairstyle, carefully rendered, adds to the overall refinement. I am compelled by the framing of the figure; a study in light and shadow, using simple forms. Curator: The choice of actress is far from coincidental. Actresses embodied notions of modern feminine ideals, becoming influential cultural figures who introduced changing values in fashion, intellect, and emotion. The advertisement suggests that through Grace Chase we see an accessible aspiration, aligning beauty with brand loyalty. Editor: Interesting, although for me, it's more a question of visual organization: the figure occupies the dominant portion of the composition, with a lower segment clearly differentiated by the text layout. The figure versus ground contrast and use of linear perspective and subtle color differentiation create a very effective, albeit commercial, piece. Curator: What I find especially compelling is how everyday objects can encode intricate social narratives. In Grace’s image, we see the intersections of advertising, performance, and the shifting roles of women in the late 19th century. Editor: I appreciate your insight. Now, considering it formally, its success rests upon how the arrangement of tones, textures, and textual information coexist within the borders to produce this iconic and quite beguiling composition.
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