Lady in Pink 1992

Walasse Ting made this painting, Lady in Pink, sometime during his career, probably using acrylic on canvas. Look at the pink and magenta hues, so bold and unapologetic. The paint application feels fast, free, and almost like it was done in one sitting - the kind of process that embraces mistakes and spontaneity. Ting's marks are juicy and thick; you can almost feel the bristles of the brush. The pink is layered upon itself, creating a sense of depth and texture that is quite remarkable. The eyes are a slash of turquoise, which contrasts with the pink in such a satisfying way, and that little dab of dark red for the lips. The flowers look like they’ve been directly squeezed from the tube, pure pigment taking on a life of its own. The energy in this piece reminds me of Joan Mitchell's work. Ting, like Mitchell, seemed to let his emotions flow directly onto the canvas. Both artists aren't about perfection; instead they offer us a glimpse into their process, their feelings, and their unique way of seeing the world. It’s a reminder that art is less about answers and more about asking questions.