Moravian box still bank by Anonymous

Moravian box still bank c. 1756

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ornament, carving, relief, ceramic, sculpture, wood

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ornament

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medieval

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carving

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relief

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ceramic

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sculpture

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ceramic

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wood

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decorative-art

Dimensions: 3 3/4 x 5 3/4 x 3 1/2 in. (9.53 x 14.61 x 8.89 cm)

Copyright: Public Domain

Curator: I'm struck by how tactile this box appears. The deeply carved ornamentation creates such visual texture. Editor: Indeed. This is a Moravian box still bank, dating to about 1756. It resides here at the Minneapolis Institute of Art, crafted from wood and showcasing both carving and relief work. What resonates with you? Curator: Well, the first thing that grabs my attention is the juxtaposition of the refined carving with the object's very practical function as a bank. It suggests a societal value placed on thrift and craftsmanship, perhaps intertwined with religious convictions within the Moravian community. Editor: I agree. Formally, the rounded shape against the sharp geometric patterns creates tension. Notice how the circular flower motif at each end contrasts the linear bands along the sides. It directs the eye in a pleasing circular path. Curator: Right, the visual balance suggests that even mundane objects like a still bank, were meant to embody a certain elevated ideal within the community. The care with which the craftsman decorated it elevates it beyond mere utility. Editor: There is a narrative here about community and purpose. I'd be fascinated to understand if particular patterns or designs were employed symbolically and how the introduction of banking would influence daily commerce in that time. Curator: Precisely. And what did owning such an intricately adorned bank represent for the owner? Was it a symbol of prosperity, religious devotion, or something else entirely? We see the object itself as an expression of a collective morality in 18th century Europe. Editor: Examining art through its materials and shapes reminds us that the maker chose how best to deliver beauty and meaning. Curator: I've truly appreciated focusing not just on aesthetics, but the ways even the most practical items weave into a complex history of belief.

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