Bairei Picture Album of One Hundred Birds (Bairei hyakuchō gafu 楳嶺百鳥畫譜): [volume 3] by Kōno Bairei 幸野楳嶺

Bairei Picture Album of One Hundred Birds (Bairei hyakuchō gafu 楳嶺百鳥畫譜): [volume 3] 1881 - 1884

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Dimensions: each: 9 1/2 × 6 13/16 in. (24.2 × 17.3 cm)

Copyright: Public Domain

Editor: This beautiful open book is from Kōno Bairei's *Bairei Picture Album of One Hundred Birds*, specifically volume 3. It dates from between 1881 and 1884 and it’s currently held at the Metropolitan Museum of Art. The soft colours and delicate lines depicting the bird mid-flight give the print such a feeling of serenity. As someone steeped in the social history of art, what strikes you most about this particular image? Curator: The immediate contrast that grabs me is the tension between the seeming accessibility of this charming image and the complex social dynamics at play in Meiji-era Japan, when this album was created. Do you notice how it evokes Ukiyo-e traditions, yet simultaneously aligns with emerging Westernized art trends? Editor: Yes, the lingering influence of *ukiyo-e* is evident, yet there’s something quite contemporary, almost impressionistic, about the shading and the sense of movement. Curator: Precisely. The Meiji government actively promoted Western art styles while seeking to preserve traditional Japanese artistic heritage. Woodblock prints, like this one, were caught in the middle. They became both vehicles for preserving traditional aesthetics and for showcasing Japan’s adaptation to modernity. What do you think the commercial role of this book played in shaping its aesthetic choices? Editor: I hadn’t thought about that. The market demand, probably catering to both Japanese and Western tastes, would definitely have influenced the artist's style. It had to appeal to a broad audience to be commercially successful. Curator: Exactly! The album wasn’t just a personal artistic expression. It was also a commodity, deeply entwined with Japan's complex efforts to redefine itself on the global stage. Editor: It’s amazing to realize how a seemingly simple image of a bird can tell such a layered story about cultural identity and socio-political change. I’ll never look at it the same way again! Curator: Nor will I! Exploring art through a wider social context always brings unexpected and enriching insights.

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