Playing cards by Otto Gustav Carlsund

Playing cards 

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drawing, graphic-art, print

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portrait

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drawing

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graphic-art

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print

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comic style

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genre-painting

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comic art

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miniature

Copyright: Public domain

Curator: This print, titled "Playing Cards," is by Otto Gustav Carlsund. It appears to be a genre painting in a style reminiscent of comic art. What's your immediate impression? Editor: Intriguing! My eye is immediately drawn to the queen of spades. There’s a classical feel, almost romantic, juxtaposed with these bold graphic elements. It’s a really strange marriage. Curator: Right, and let’s consider the production. This is graphic art, possibly a lithograph or other printmaking technique. The use of flat planes of colour and distinct outlines points towards a design intended for reproduction, possibly for commercial purposes. Notice the prominent image of the ink bottle—implying a focus on draftsmanship as well as printing technology. Editor: The queen card is definitely central, holding a flower so delicately, her gaze lowered as if lost in thought. This gesture has layers, I think, connoting modesty, maybe even vulnerability... and is that an ad for a type of Pelikan Ink? Is that text alongside it? Curator: Indeed! We see the words ‘Zum Saubern der Zeichnungen das sparsame Spezialgummi Stillan S’ which roughly translates to ‘For cleaning drawings, the economical special eraser Stillan S’. This points to the original intention of the art being an advertisement or commercial illustration, probably for stationery supplies. It really blurs the lines between commercial art and ‘high’ art. Editor: This pairing of playing cards with a woman creates a narrative possibility. Playing cards historically carry complex meanings—chance, deception, fortune—often seen as morally dubious. A proper, albeit card-figured, woman pictured alongside those seems to give license for the players to continue their pasttime with honor. Curator: It's a miniature piece too, further challenging traditional notions of scale and importance within art. What we might initially dismiss as ephemeral ephemera rewards a closer consideration of both its material origins and broader societal reflections. Editor: Ultimately, seeing this card deck and the image together I sense a kind of wistful beauty amid everyday utility. Even practical goods can be wrapped in captivating imagery, can't they? Curator: Absolutely, it reminds us that artistic innovation isn't confined to gallery walls, but exists wherever human creativity intersects with the necessities of life.

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