Gezicht op de toegangspoort van Huis Diepenheim c. 1887 - 1888

Willem Witsen made this drawing of the gate of Huis Diepenheim using graphite pencil on paper. The rough texture of the paper and the quick, gestural strokes of the pencil create a sense of immediacy, as if we are looking at a fleeting impression captured on the spot. Witsen’s technique here isn't about polished refinement, but about conveying the raw essence of a place. The way he builds up layers of graphite, smudging and erasing, gives the drawing a depth and atmosphere that transcends mere representation. Think about the history embedded in a simple graphite pencil. It’s a tool that has been used by artists and draftsmen for centuries, connecting Witsen to a long line of makers. With its reliance on readily available materials and techniques, it democratizes art making. Ultimately, this drawing reminds us that art isn't just about the final product, but also about the process, the materials, and the connection between the artist and the world around them.