Dahlias and Sunflower c. 1936

Curator: What strikes me immediately is the bold, almost aggressive use of impasto; it feels like a celebration of pure paint. Editor: Indeed. This is Sir Jacob Epstein's "Dahlias and Sunflower," part of the Tate Collections. Epstein, born in 1880, was known for his sculptures, but his paintings, like this one, have an undeniable raw energy. Curator: The sunflower, traditionally a symbol of adoration and longevity, is almost overwhelmed by the surrounding dahlias. Perhaps reflecting a change in values or a subversion of expected symbolism. Editor: Or perhaps the artist was simply captivated by the dahlia's complex form; the way the paint is layered mimics the flower’s intricate, almost fractal structure. Curator: There is a tension, a visual argument here between the familiar sunflower and the more exotic dahlias—a clash of cultural meanings expressed through pure form. Editor: Ultimately, it leaves you pondering the power of flowers to be vessels of symbolism, and how an artist's vision can reshape our perception of them. Curator: A brief encounter, but I feel enriched by the sheer vitality captured in these blooms.