Baldwin, Pitcher, Detroit, from the series Old Judge Cigarettes by Goodwin & Company

Baldwin, Pitcher, Detroit, from the series Old Judge Cigarettes 1888

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drawing, print, photography

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portrait

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drawing

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still-life-photography

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print

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baseball

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photography

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historical photography

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19th century

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men

Dimensions: sheet: 6 1/2 x 4 3/8 in. (16.5 x 11.1 cm)

Copyright: Public Domain

Curator: The image before us is a baseball card featuring a pitcher from Detroit. It’s part of a series called "Old Judge Cigarettes," produced by Goodwin & Company around 1888. These cards were originally distributed as promotional items. Editor: It’s incredibly direct. He’s positioned mid-throw, but there's no drama or action conveyed beyond that; just the bare essentials. It feels almost...clinical? Curator: In the late 19th century, photography like this served multiple purposes. On one hand, it captures the growing popularity of baseball. On the other, it served to boost cigarette sales, aligning leisure and recreation with consumption, and thus normalizing smoking within popular culture. Editor: Focusing solely on the photograph's compositional elements, the background is stark. This tonal flatness throws the player's form into relief, highlighting both uniform detail and his throwing motion, capturing a dynamic moment in the player's preparation. Curator: Think of the implications—the mass dissemination of these cards through tobacco products. These weren't viewed in hallowed halls but were traded among fans, pasted into scrapbooks, connecting sport figures to everyday routines and consumption habits. This piece highlights the rise of commercialized sport and marketing practices. Editor: Looking closely, one also notices subtle manipulations within the printing process; an accentuation, perhaps, on key details, a means to draw a viewer’s eye towards details like team name. In the modern sense, it may be the pre-cursor to advertising conventions used to highlight critical features, logos, or branding components, etc. Curator: Absolutely. And while it's easy to romanticize baseball cards, remember the broader social context. These cards weren’t just innocent collectibles; they reflect marketing's role in the construction of fame and the linking of sport to consumer culture. Editor: Indeed. Considering this image's straightforward framing, one might argue it is almost a deconstruction of the heroic portrait in baseball – the humanization of the game, almost like an athletic taxonomic study, devoid of grandiosity and only featuring the sport and athlete, down to the most specific visual details. Curator: Reflecting on its influence, it humanizes figures of burgeoning popularity while embedding brands deeply into people's recreational lives, which is a lasting technique that still reverberates throughout popular culture today. Editor: And seeing these techniques at play, more than a century on, offers great lessons in studying photographic compositions of popular figures and brands.

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