Dorpsgezicht met drinkende boeren by Matthäus (I) Merian

Dorpsgezicht met drinkende boeren 1620

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engraving

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dutch-golden-age

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ink paper printed

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landscape

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genre-painting

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engraving

Dimensions height 120 mm, width 165 mm

Curator: This engraving from around 1620, titled "Dorpsgezicht met drinkende boeren," or "Village Scene with Drinking Farmers," is by Matthäus Merian the Elder. It’s a genre scene rendered in ink on paper, currently residing here at the Rijksmuseum. Editor: My first impression is one of rustic conviviality—though tinged with a hint of melancholy, perhaps brought on by the somber, looming sky above the quaint village. Curator: The sky is quite striking, and definitely adds a dramatic note. But consider how the act of drinking itself operates within this cultural framework. It wasn’t merely about refreshment; communal drinking solidified bonds, celebrated harvests, and provided respite from the demands of agrarian life. Notice how Merian places the drinking scene at the edge of the village, a liminal space where societal norms might be loosened. Editor: The act of gathering for drinks absolutely carries that symbolic weight. In iconographic terms, look at how the artist positions the drinking figures, almost in contrast to the travelers entering the town from the left of the frame, directing the narrative's focus on leisure versus labor in the 17th-century rural culture of the Netherlands. We can see what appears to be a waterskin is used communally—note the suggestion of a shared experience within that single vessel, reinforcing this idea of unity. Curator: Absolutely. And those flocks of birds heading toward the horizon—I read them as metaphors for the temporary escape such leisure offered. The laborers would then have to face an endless cycle of agricultural labor under oppressive land ownership. Editor: The birds are definitely compelling symbols. Flight, freedom... Perhaps they symbolize the fleeting nature of merriment before one must return to reality. These details emphasize the bittersweet core that rural lives contain. Curator: It's that tension—between hardship and small pleasures, order and escapism—that I find so potent here. It transcends the seemingly simple genre scene. Editor: Yes, the more we discuss, the more it resonates beyond being just a simple image of daily life in a small Dutch village. The echoes of communal resilience can still be heard today.

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