Toneelvoorstelling over oorlog en vrede; intocht van Ferdinand te Gent in 1635 (nr. 42) 1635 - 1636

This print depicting Ferdinand’s entrance into Gent in 1635, was created by an anonymous artist using etching or engraving. The image is made up of thin lines cut into a metal plate, which then holds ink, ready to be printed onto paper. The dramatic scene is carefully composed, with the chaos of war leading up to a tiered stage hosting figures of peace and concord, with war and peace coexisting in the same plane. The artist skillfully manipulates the medium to create a sense of depth and texture. Look closely, and you'll see the varying line weights and densities, creating light and shadow that model the forms and add a dynamic energy to the overall composition. The printmaking process, with its reliance on skilled hand labor and mechanical reproduction, speaks to the broader social and economic context of the time, reflecting the rise of print culture and its role in disseminating ideas. This convergence of technical skill, artistic vision, and social context underscores the rich tapestry of meaning woven into every line of this compelling print.