Agrippina minor 1620 - 1664

This is an engraving of Agrippina Minor, made by Stefano della Bella in the 17th century. The image was achieved by carefully incising lines into a metal plate, likely copper, which would then be inked and printed onto paper. Look closely, and you'll see how the varying thickness and density of lines create a sense of depth and shadow, defining Agrippina’s figure and drapery. The process required a mastery of technique. The engraver would need to control pressure and angle, turning a burin to produce precise marks, to make the crispness and fineness of the lines that define the form. This wasn’t just about artistic skill; it was about highly skilled labor and knowledge of materials. Engravings like this were not simply artworks; they were also a form of reproduction, allowing images and ideas to circulate widely in society. The print medium itself speaks to the rise of commerce and consumption in early modern Europe. This small print is a reminder that even seemingly straightforward images are the product of complex social and economic forces.