Curatorial notes
Cindy Sherman made this black and white photograph, Untitled Film Still #47, using herself as the subject. It's like she's painting with light and shadow, creating this character, this woman, in a single, fleeting moment. The textures here really grab me; from the rough, weathered wood of the fence to the soft, almost blurry edges of the leaves overhead. Look at the way the light catches the brim of her hat, throwing a shadow across her face. It’s like she’s both there and not there, present and yet somehow distant, a familiar face in an unfamiliar movie. The way she holds the hose, casually, almost reluctantly, adds to the sense of unease. It makes me think of the work of artists like Nan Goldin, who similarly captured raw, unscripted moments of everyday life. Sherman invites us to consider how we construct our identities. It’s a reminder that art, at its best, can hold multiple truths at once.
