Untitled (Union Square) 1944

Curator: Marion Osborn Cunningham’s 1944 print, “Untitled (Union Square),” offers a bird’s eye view of a bustling city center. What's your immediate take on it? Editor: My first impression is one of quiet industry. The muted tones create a somewhat somber, yet compelling mood, despite all the buildings and suggestions of activity. The dense composition almost feels weighty. Curator: The image’s weight could connect to the socio-political atmosphere during the time of its creation—the final years of World War II. Urban centers were hubs of war effort, and spaces like Union Square were often sites of political gatherings. Editor: Interesting point. From a materialist perspective, the printmaking process itself would involve a conscious layering, pressing, and reproduction, echoing that wartime effort – everything geared towards output. The choice of a print suggests wider dissemination. Curator: Indeed. The choice to depict Union Square, known for its history of protest and assembly, emphasizes themes of collective action. Cunningham was active within leftist circles in the Bay Area, and these views likely shaped her artistic choices. Editor: The stark trees and geometric buildings could almost represent the structures - political or architectural - humans impose upon the natural world. Looking closely, the cars seem almost incidental compared to the built environment. Curator: Exactly. And even though there is an almost nostalgic, romantic feel given the watercolor, we shouldn't let that detract from its political undertones related to labor struggles and wealth disparity, which are central to this iconic place. Editor: Thinking about the watercolors used, the washes might hint at a fleeting temporality. Despite the robust appearance of the city, the image seems to suggest even seemingly permanent structures can change, reflecting socioeconomic transformations. Curator: I agree. Examining “Untitled (Union Square)" is so rich and rewarding; understanding the artwork through these combined lenses gives the viewer deeper insight into the complexities of mid-20th century American life and culture. Editor: Yes, bringing together a consideration of artistic practice and social realities opens this image to a broad array of interpretive possibilities.