Halberd 1500 - 1540

Curator: Here we have a Halberd, dating back to 1500-1540, from the hands of Master BE, possibly Bernadino da Carnago. Editor: My immediate thought? Deadly elegance. That's a weapon crafted with lethal intent, but also, dare I say, artistry? Curator: Absolutely! Notice the way the metal catches the light, it’s almost sculptural. But beyond aesthetics, the halberd represents a fascinating shift in warfare, doesn't it? A weapon carried by foot soldiers capable of unseating a knight. Editor: Exactly, this isn't just a pointy stick. It’s a tool of social and political change! Think about the rise of infantry against the dominance of the cavalry during this period. It disrupts the feudal order, doesn’t it? Levels the playing field, quite literally. Curator: In a brutal sort of way, yes. The design itself speaks volumes, that sharp beak at the back, for hooking riders… that axe blade… Editor: The very shape is performative, a silent proclamation of shifting power dynamics. Metal and wood – tools created to both take and protect lives, it raises fascinating questions around militarism in this historical context, what were the lives of those wielding this tool, what choices did they have? Curator: Do you think there’s almost a beauty in the craft, like maybe that speaks to this period and people in a more meaningful way. Editor: Beauty created during a time of violence and disparity speaks to resilience, yes. Though it also acts as an indictment against inequitable societies, because we must confront not only why this art was created but *how* and for *whom.* Curator: I will agree with you on that point, the history is one we should keep teaching for years to come. This weapon and all that it represents should serve as a symbol of times people want to change. Editor: Indeed, in engaging with such works, it is essential to remember, that in moments of historical introspection, it's crucial to consider our relationship to power, past and present.