Fotoreproductie van (vermoedelijk) een prent naar een schilderij van Jean-Jacques Scherrer, voorstellend de terugkeer van Jeanne d'Arc in Orléans by Neurdein Frères

Fotoreproductie van (vermoedelijk) een prent naar een schilderij van Jean-Jacques Scherrer, voorstellend de terugkeer van Jeanne d'Arc in Orléans c. 1880 - 1900

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print, photography

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narrative-art

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print

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photography

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cityscape

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history-painting

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academic-art

Dimensions: height 280 mm, width 207 mm

Copyright: Rijks Museum: Open Domain

Editor: This photograph, taken sometime between 1880 and 1900 by Neurdein Frères, reproduces a painting by Jean-Jacques Scherrer titled *The Return of Joan of Arc to Orléans*. It depicts a bustling cityscape filled with people celebrating Joan's arrival. There's a palpable sense of patriotic fervor captured, despite it being a monochromatic photograph. What underlying symbols can we unpack from this image? Curator: Indeed. This image, while seemingly a straightforward historical scene, resonates with potent symbolism and the deliberate construction of national identity. Joan of Arc herself is not merely a historical figure, but an archetype – a young, virtuous woman leading a nation. Her return to Orléans becomes a symbolic rebirth of France. Note the white flag she carries. Editor: It stands out strikingly against the muted tones. Curator: Precisely. White represents purity, divine guidance. Now, look at the composition; the crowd pressing in towards her suggests the collective yearning for deliverance. Does that not hint at the psychological dependence of a nation on a symbol of hope? The buildings themselves, looming overhead, seem to bear witness to the weight of history and the hopes of the future. It’s all staged for the purpose of elevating cultural memory of her return, and to stir an emotional reaction. Editor: It’s fascinating how much the image conveys despite the constraints of the medium. I was only thinking about her as a straightforward figure of French history and pride, but she embodies much more, especially because it has been immortalized through painting and reproduced in photographic prints. Curator: Exactly! Her figure persists in collective cultural memory through continuous reinterpretation, evolving into something far richer than just one woman’s story. It's interesting to observe how photography, initially seen as purely representational, adopted and reshaped such symbolically rich historical narratives. Editor: This reframing has enriched my understanding of how history is perceived through art. Thanks for the illuminating perspectives! Curator: My pleasure. It’s in these layers of interpretation that art truly comes alive.

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