Drawing for Lincoln Center Poster 1967

Editor: Here we have Frank Stella’s “Drawing for Lincoln Center Poster” from 1967, made with drawing on paper. It feels quite structured, like a geometric puzzle made with soft, almost retro colours. What strikes you about this piece? Curator: Oh, Frank. I love how Stella plays with geometry like a kid with building blocks, but the kind of blocks you’d find in a seriously stylish, mid-century modern kindergarten. Don't you think? The grid background—it's like seeing the blueprint, the 'how-to' guide to visual joy. I see shapes nesting within each other, almost a set of Russian dolls, except these dolls decided to become Minimalist Pop stars. And the colours! They're not screaming, "Look at me!" It’s as if they’re whispering secrets of form and balance. Almost like colour field paintings. Is it successful at its original intent do you think? Editor: I think so! The circles overlapping suggest connection, which feels apt for a performing arts center. But what about its place in the Hard-Edge movement? Does that affect how we should read it? Curator: Absolutely. Hard-edge wanted clarity, flatness, pure colour. And Stella delivers that punch with pastel gloves! He's flirting with the edge of representation while steadfastly denying it, which is what makes the work engaging and thoughtful, if perhaps somewhat ironic, don't you agree? Editor: I see what you mean. It’s both accessible and challenging, structured, yet playful! I might even pick up a paintbrush after this. Curator: Do it! And think of Frank whispering sweet geometric nothings in your ear. It might get you somewhere fun! I wonder what inspired Frank when he was first considering art?