Building Site, Oxford Street by Leon Kossoff

Building Site, Oxford Street 1952

0:00
0:00

Dimensions: unconfirmed: 1120 x 1335 mm

Copyright: © Leon Kossoff | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Leon Kossoff’s "Building Site, Oxford Street" captures a fleeting moment of urban transformation. The unconfirmed dimensions suggest a substantial work, held in the Tate Collections. Editor: It feels oppressive, doesn't it? Like being swallowed by the city itself. Look at all that grey. It's all substance and process, with these fleeting figures barely present. Curator: The figures, though somewhat obscured, do lend a human element to the industrial landscape. Their presence evokes the cycle of creation and destruction, a potent symbol of progress. Editor: I see the construction, but where is the progress? Kossoff’s process makes it seem like toil, the heavy impasto mirroring the physical effort. Curator: Perhaps the ladder in the center is an icon of aspiration, a nod to the upward climb inherent in any transformative act. The figures are reaching. Editor: Or it's simply there, materially, a means to an end in the construction process itself, nothing more. It reflects the social stratification embedded in the building process. Curator: A compelling point; it’s always intriguing how cultural memory intertwines with tangible creation. Editor: Materiality informs meaning, in art and life.

Show more

Comments

tate's Profile Picture
tate 2 days ago

http://www.tate.org.uk/art/artworks/kossoff-building-site-oxford-street-t07199

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 2 days ago

Like his close friend Frank Auerbach Kossoff was fascinated by building sites during the 1950s. These abounded in London as its bomb-damaged fabric was rebuilt after the war. Perhaps they stood for the transient and ever-changing nature of the modern city. They were also places where the earth beneath the city was revealed. This drawing, like Auerbach’s painting on the same theme, shows how they also offered a ready-made linear structure for the artist’s picture. Gallery label, September 2004