Vrouw met een bloem 1670 - 1724

Jacob Gole created this print of a woman holding a flower sometime between 1670 and 1724. The method used to create the image was a technique known as mezzotint, a printmaking process that relies on the manipulation of a copper plate. The entire surface of the plate is roughened by a tool called a rocker, creating an even, dark tone when printed. The artist then works from dark to light, using a scraper and burnisher to smooth areas of the plate, which hold less ink and produce lighter tones in the final print. In this portrait, the velvety blacks of the background contrast with the luminous highlights on the woman's face and dress. The details in her lace and the folds of her gown are achieved through the skilled use of scraping and burnishing. Mezzotint allowed for a wide range of tonal variations, mimicking the effects of painting, and was especially popular for reproducing portraits in the 17th and 18th centuries. Understanding the labor-intensive process behind this print enhances our appreciation of its beauty, and blurs the lines between mechanical reproduction and artistic creation.