Shelf Lambrequin c. 1938

Editor: Here we have "Shelf Lambrequin," a drawing in pencil on paper by Arthur G. Merkley, created around 1938. The colors are striking, the red contrasting the green and white floral design. It feels very precise, like a technical drawing for a textile pattern. What jumps out at you when you see this piece? Curator: The date is quite suggestive. 1938 places this in the late Depression era in the United States. Decorative arts, like this proposed shelf covering, saw a resurgence as people looked for affordable ways to beautify their homes. Mass production had made some items cheaper, but handcrafted designs signaled individuality and a personal touch, things often prized during economic hardship. Does that inform how you perceive the drawing? Editor: That’s interesting; I hadn’t considered the economic context. So, do you think the drawing itself then functions as a kind of democratizing tool? Making design accessible for reproduction by ordinary people? Curator: Precisely. It's likely this design was intended for a publication, maybe a magazine or pamphlet offering craft projects. Think about the social role of women at the time: home decoration was a key part of their domain. Designs like this both celebrated and, in a way, confined women to the domestic sphere. It catered to them and, perhaps subtly, reinforced their roles. Does the floral motif say anything to you? Editor: Well, flowers are often associated with femininity, right? But in this case, it also seems… practical? Easy enough to stitch for someone without advanced skills. Curator: Yes, I think you are right. Also consider that such shelf coverings were very popular and could give some status to the maker and/or owner. So, to summarize, this seemingly simple drawing encapsulates a whole discourse on class, gender, and the desire for beauty in a period of economic constraint. What are your concluding thoughts now? Editor: I see it very differently now! It's not just a pretty drawing, but a window into the social fabric of its time, reflecting both opportunities and constraints. Thank you!