Miss Lauason, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

Curator: This photograph comes from a series of collectible cards issued by the Kinney Brothers Tobacco Company in 1890. These were inserted into Sweet Caporal Cigarettes and feature actresses of the time. This one is titled "Miss Lauason, from the Actresses series." Editor: The first thing that strikes me is the overall tonal range. The sepia gives the figure a sort of dreamlike quality, while the pose itself—arching back, one leg forward—is undeniably provocative, especially with that coy smile. Curator: It's fascinating to consider how these images functioned within the burgeoning consumer culture. Actresses like Miss Lauason became associated with the aspirational lifestyle marketed by tobacco companies. It really underscores how imagery can be deployed to shape perceptions. Editor: From a formal perspective, I’m intrigued by the use of the feather adornment. It disrupts the symmetry of the composition while hinting at wings, perhaps subtly nodding to notions of angelic or ethereal beauty – juxtaposed with the figure's obvious earthiness. The draping fabric of the skirt or pannier also introduces dynamic diagonals against the backdrop. Curator: Absolutely. These cards offered a glimpse into the glamorous world of theater. However, it's crucial to remember the power dynamics at play. These actresses’ likenesses were used without much agency on their part, feeding a specific image of feminine allure tied to a potentially harmful product. Editor: And the interplay between flatness and depth is key. The monochrome tones almost flatten the figure against the backdrop, and simultaneously highlight the textures. The details in the fabrics, the sheen on the stockings—they emphasize tactile qualities, further engaging the viewer. Curator: Exactly. In the context of history, understanding art involves understanding that images don't exist in a vacuum. These photographs are products of complex societal forces shaping ideals, desire, and often exploitation. Editor: As a visual object, though, it holds our gaze. This small photograph—or print—shows an extraordinary amount of nuance and complexity when one takes the time to look closely at composition and figure/ground relationship, for example.