M.Albert; Mlle Rust; Blanche Montaubry 1862

André-Adolphe-Eugène Disdéri created this photograph titled 'M. Albert; Mlle Rust; Blanche Montaubry' sometime in the 19th century. This is a carte-de-visite, a calling card in photograph form that was popular in the mid-19th century, particularly in France where it was made. Disdéri patented a method for producing multiple images on a single photographic plate, helping to popularize this format. The carte-de-visite became a widespread phenomenon, eagerly collected and traded by members of the public. The rise of the carte-de-visite reflects the changing social landscape of the 19th century. Photography democratized portraiture, making it more accessible to the middle class. As photography became an industry, photographers like Disdéri took on a more entrepreneurial role, and their studios became important social spaces. To better understand the history of this photograph, scholars often research the development of photographic technology, the history of portraiture, and the changing social customs of the 19th century. By studying these aspects, we gain insight into the cultural significance of the carte-de-visite and its role in shaping social identities.