Crucifix 16th century

This crucifix was made in Milan by the Saracchi workshop using rock crystal and silver. The choice of rock crystal as a medium is intriguing, its purity suggesting spiritual transcendence. It has an inherent fragility, which the artists would have overcome through skilled carving and assembly, transforming a raw material into a precious object. The crucifix isn’t just a symbol of faith, but also a demonstration of wealth, skill, and a complex division of labor. The Saracchi workshop, like many at the time, would have been divided into specialized roles. Each artisan contributes their skill, yet their individual contribution is subsumed into the final product. This highly organized method of production highlights the intersection of artistic expression, economic realities, and the hierarchical structures of the time. By considering materials and modes of production, we understand the full meaning of this crucifix, challenging traditional distinctions between fine art and craft.