Seated Madonna and Child c. 1500 - 1502
drawing, ink, pencil, chalk, charcoal
portrait
drawing
high-renaissance
charcoal drawing
figuration
oil painting
ink
pencil
chalk
watercolour illustration
charcoal
This is Raphael’s “Seated Madonna and Child”, a drawing now held at the Städel Museum. Created during the Renaissance, a period marked by a revival of interest in classical antiquity and humanist philosophy, this piece reflects the era’s focus on the idealization of the human form and the celebration of earthly life. Raphael, who lived between 1483 and 1520, was deeply influenced by the religious and social environment of his time, and he was commissioned to create many depictions of the Madonna. However, rather than presenting an untouchable figure, the Madonna is rendered with a tender, human quality. She gazes downward with care, holding the Christ child close. While it may appear traditional in its subject matter, Raphael brings an emotional depth to the piece. The bond between mother and child is palpable, inviting viewers to reflect on the universal themes of love, protection, and the human experience.
Comments
In this very early drawing, Raphael employed a stylus, chalk, and finally pen and ink to develop a Madonna with the Child performing a gesture of blessing – in its majestic frontality a classical altarpiece motif. Probably working from a pictorial model, he made a preliminary sketch of a section of the depiction and then reworked and completed it. In style the drawing is highly reminiscent of the work of the older painter Pietro Perugino. The tender manner in which the Virgin holds her Child is the only narrative element in this stringent depiction.
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