Intocht van koning Willem III te Den Haag, 1691 1691

Laurens Scherm created this print of King Willem III's arrival in The Hague in 1691. The printmaking process is crucial to understanding its significance. As an etching, the image was achieved by drawing into a wax-coated metal plate with a fine needle, then bathing it in acid, which bit away the exposed lines. The plate was then inked and printed. The technique allowed for detailed, reproducible imagery, making it ideal for disseminating political messages. Look closely, and you'll notice the density of lines used to create depth and shadow, a hallmark of the etching process. Prints like these served as a form of mass media in their time. They brought imagery to a broad audience, well beyond those who could witness such a royal event firsthand. This print is a testament to the power of craft in shaping public perception and solidifying the monarchy's image. It bridges fine art and social documentation, reminding us that even seemingly straightforward depictions are carefully constructed.