Card Number 321, Bessie Cleveland, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes by W. Duke, Sons & Co.

Card Number 321, Bessie Cleveland, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes 1880s

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drawing, print, photography

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portrait

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drawing

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print

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photography

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19th century

Dimensions Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Curator: Here we have "Card Number 321, Bessie Cleveland," a photographic print dating from the 1880s. It's one of the "Actors and Actresses" series distributed by Duke Sons & Co. to promote Cameo Cigarettes. Editor: It’s strange how small this card is—almost jewel-like—yet there is a certain theatrical flair with this backdrop. I imagine the production process involved carefully staged lighting, backdrops, printing, cutting and, finally, distribution with cigarettes. It is amazing it survives at all. Curator: Precisely. The choice of Bessie Cleveland, a performer, connects directly to notions of allure and the spectacle for promoting the cigarettes. Notice how she is standing barefoot, leaning casually on a staff. Are there classical allusions at play, some invocation of pastoral ease, but updated and commodified? Editor: I'm intrigued by the materiality of this "ephemera" of industrial America; such objects act as bridges connecting entertainment, consumption, and personal identity during that period. To your point, that printed backdrop mimics an elaborate indoor conservatory setting but printed with plants… Curator: A simulacrum, definitely. This hints towards abundance and luxury. But look closer: what sort of meanings are subtly layered into the image through her pose and attire? Could we see traces of the "exotic," and associated ideas of "femininity" or beauty packaged here alongside the brand name? Editor: Undoubtedly. Cigarette cards of that period created celebrity and popularity and helped fuel consumerism, as the masses aspired to partake in similar pleasures and fantasies that, until this period, would only be available to an elite. This convergence of media, leisure, and manufacture offers a potent lens through which we see societal transformation. Curator: Indeed. Examining this image beyond its commercial function uncovers layers of symbolism deeply embedded in popular culture, a snapshot of values and desires in the Gilded Age. Editor: And through its reproduction, through distribution and collecting, it entered countless homes as a fragment of an unfolding, new era. It provides us, today, with insights into our present moment.

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