Gezicht op Harefield Church by H.V. Lemenager

Gezicht op Harefield Church 1865 - 1870

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print, photography, albumen-print

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script typeface

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aged paper

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homemade paper

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print

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sketch book

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landscape

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photography

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personal sketchbook

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hand-drawn typeface

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journal

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thick font

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handwritten font

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albumen-print

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historical font

Dimensions width 88 mm, thickness 139 mm

Editor: This is "Gezicht op Harefield Church" by H.V. Lemenager, made sometime between 1865 and 1870. It appears to be a print in a book, perhaps an albumen print. It has a really antique feel, looking like a photograph pasted into a personal sketchbook. What do you notice about this image? Curator: It's fascinating how the photograph is presented within the context of the book, seemingly part of a larger narrative. The inclusion of descriptive text opposite the image emphasizes the role of photography in documenting and preserving history. The albumen print, a popular method at the time, itself becomes a historical artifact. What stories do you think this photograph and the book tell about how this church was viewed and its importance to its local community? Editor: That’s interesting. I guess I hadn’t really considered it as part of a "project" beyond a simple photograph. Was it common for personal sketchbooks to include albumen prints? Curator: Precisely! These albums and sketchbooks provided a controlled means for individuals, families and institutions to collect and arrange imagery and textual narratives related to historical interests. They became spaces where a public image met a private narrative. Does the visual treatment of "Harefield Church" tell you about its function and symbolic value at the time? What does this pairing of image and script communicate? Editor: It emphasizes its antiquity, especially coupled with the typeface. Seeing them together really makes me appreciate the cultural context surrounding historical preservation and representation. It goes beyond just taking a picture; it’s about creating a lasting record for a specific audience. Curator: Indeed. This object showcases how photography was mobilized not just as a representational medium, but also as a powerful tool in constructing and disseminating historical narratives about place and identity. Editor: Thanks, I see so many different aspects now! It's more than just a picture of a church; it’s about how the church was perceived and its place in the larger social fabric.

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