Portret van Hendrik Danielsz. Hooft by Derk Anthony van de Wart

Portret van Hendrik Danielsz. Hooft 1787 - 1794

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print, engraving

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portrait

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neoclacissism

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print

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history-painting

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engraving

Dimensions height 98 mm, width 96 mm

Curator: This print is a portrait of Hendrik Danielsz. Hooft, dating from somewhere between 1787 and 1794, crafted by Derk Anthony van de Wart. It's an engraving, fitting neatly within the Neoclassical movement. Editor: Well, right away, I’m struck by the wig. I mean, what stories could that hair tell? Seriously though, there's a restrained seriousness to it all. It feels formal, like stepping into a history book. Curator: Indeed. The wig is an important symbol of status during that period. As a portrait, it would have served the purpose of presenting him as an important figure, aligning with the era's fascination with presenting idealised images. It’s neat how he's framed within a sort of laurel wreath, too. Editor: A laurel wreath… victory, achievement… the man’s a winner! Or, at least, that’s what they want you to think, right? It gives the portrait this official seal of approval. Do you think he had any say in the image that was produced? Curator: It’s interesting to think about the agency that sitters held back then. Given the conventions of portraiture in the late 18th century, there would likely have been expectations of decorum and idealisation, but someone like Hooft, occupying a high position, would definitely have some say in his likeness. Editor: And I imagine Derk Anthony van de Wart needed to find a middle ground. Respect the guy, but leave his mark. It all comes down to choices, doesn't it? What to emphasise, what to omit... It really invites reflection on how we construct personas, even now. Curator: Exactly, portraits often walk the line between capturing the individual and upholding societal values. Here, the precision of the engraving highlights the seriousness and importance of the subject. Editor: I am seeing a very controlled kind of elegance! I almost feel as though I am meeting history eye to eye. It kind of begs the question what images, even portraits we’re creating today say about our society and how will future viewers look at them, dissecting our "wigs" if you like? Curator: An insightful connection! This image invites us to see the visual representation of power dynamics in history, but it also subtly mirrors our current times of carefully curated imagery. A good portrait not only immortalizes, but provokes.

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