Landskab ved Tiberen med trægruppe t.h by Johan Thomas Lundbye

Landskab ved Tiberen med trægruppe t.h 1846

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drawing, pencil

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drawing

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pencil sketch

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landscape

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etching

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romanticism

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pencil

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academic-art

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realism

Dimensions 204 mm (height) x 272 mm (width) (bladmaal)

Curator: This sketch presents a somewhat somber tone; its monochromatic rendering is compelling. Editor: Indeed. We're looking at "Landscape near the Tiber with a clump of trees to the right," a pencil drawing created by Johan Thomas Lundbye in 1846. It resides in the collection of the SMK, the National Gallery of Denmark. Curator: The pencil strokes are so deliberate, so carefully placed. I am drawn to the textural variation— the delicate wisps of grass in the foreground against the denser foliage of the trees. It’s like a symphony of tonal values. Editor: What I appreciate is how Lundbye situated himself and his art within a very specific time and place, namely the Romantic period where artists were exploring a rising nationalist consciousness by imbuing landscapes with deeper symbolic meanings. How might we consider this particular scene in relation to prevailing discourses about the relationship between nature and the nation at this historical juncture? Curator: A potent question! Looking closer at the formal properties, note how the lines lead your eye across the vast landscape—a winding stream guides you toward distant hills and mountains, offering a sense of scale and perspective. The eye never rests. Editor: And yet the solitary figure by what looks to be a small structure disrupts that perspective, demanding a consideration of how notions of dwelling and dispossession impact identity, especially as it’s configured in relation to the land. Where is that person situated within this nation’s narrative? Curator: Certainly. What intrigues me are the subtle oppositions throughout. The deliberate use of line versus shadow, creating visual interest through contrast. This suggests that perhaps binaries have limitations and aren't necessarily opposed. Editor: I think we can both agree on the power of landscapes to make visible and at times conceal pressing socio-historical concerns. Curator: And, I'd add, the beautiful possibilities within limited media and the power of drawing!

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