This etching, La fiamma è vicina al fuoco, was made by Félix Bracquemond in the 19th century. Bracquemond was a key figure in the revival of etching as an artistic medium. The image is made by incising lines into a metal plate, applying ink, and then pressing paper onto the plate to transfer the image. The result is a print with a velvety texture and a wealth of fine detail. Look closely, and you will see Bracquemond’s mastery of line. He has used it to create a sense of depth, and atmospheric perspective. But consider the labor involved in the printmaking process, and the skilled traditions that Bracquemond engaged with. Etching isn’t just about artistic expression; it’s also about craft, technique, and materiality. Paying attention to these aspects helps us to understand the full meaning of an artwork, and to challenge traditional distinctions between fine art and craft.