albumen-print, paper, photography, albumen-print, architecture
albumen-print
portrait
still-life-photography
16_19th-century
paper
photography
historical photography
portrait reference
italy
albumen-print
architecture
This image, whose title is actually, *Siena, Piazza del Campo,* was created by the Italian photography firm Fratelli Alinari. The Alinari brothers, active from the mid-19th century, significantly shaped the visual culture of their time, particularly in how art and architecture were documented and disseminated. But why this title when the work portrays a woman beside a potted plant? It is a perplexing tension. Who was this woman, and what was her relationship to the Piazza del Campo? The photograph gives no answer. Instead, it evokes the complexities of representation, gender, and the gaze. The woman appears contemplative, perhaps melancholic, embodying a certain romantic sensibility. Was she part of the Alinari's inner circle, or a model? The mystery is both captivating and frustrating. It invites us to reflect on how images frame our understanding of history and identity.
Comments
The highly frequented Piazza del Campo seems eerily vacant. On the left there are two figures that can scarcely be made out. Presumably they were the only ones to keep still for long enough; the photo plates’ low sensitivity to light required a long exposure time, which made it impossible to record objects in motion. The Alinari brothers soon sought to make the most of what photography made technologically possible – hence the various distances can be made out in detail. In the 19th century the family business was one of the most successful in Italy. As a publishing house it still survives today.
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