Evangelist Lucas by Anonymous

Evangelist Lucas 1555 - 1642

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print, intaglio, engraving

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portrait

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baroque

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print

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intaglio

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old engraving style

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figuration

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history-painting

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engraving

Dimensions height 190 mm, width 267 mm

Editor: So, this is "Evangelist Lucas," a 16th or 17th-century engraving housed here at the Rijksmuseum, created by an anonymous artist. It depicts Saint Luke writing, with an ox reclining beside him. There's a really striking stillness to the whole scene, despite all the fine detail. How do you interpret this work, thinking about its time? Curator: It’s crucial to remember that depictions like these weren’t just devotional. The figure of Luke, the act of writing, the symbol of the ox– they’re all enmeshed within a broader context of power. Think about it: who had access to literacy, to the creation and interpretation of texts in that era? How did that affect who wrote history and whose voices were left out? Editor: That's a good point. I guess I hadn't considered the inequalities embedded within the image itself. The figure, so intent on writing, is imposing a very specific narrative, a sanctioned viewpoint. Curator: Precisely! And the ox, Luke’s attribute, represents sacrifice, service. In some ways, it mirrors the role often assigned to marginalized groups—serving a purpose defined by those in authority. But what else can we consider the symbolism to be, if we think about marginalized groups taking a stand? Editor: Hmm, I guess it can be seen as their patience? Since Oxen are farm animals they endure difficult situations. But then it might depend on if we consider Evangelist Luke one of these 'marginalized' groups? Curator: Yes, the beauty and importance of it is the re-examination through new points of view. We should continue to unpack its historical significance by considering its accessibility and intended viewership and message. The engraving medium allowed for broader dissemination compared to painting. What power dynamics did that impact, and which remained unchanged? Editor: I see how the print form opens up new avenues for thinking about social impact and the distribution of ideas, and that it can mean different things when it shifts between socioeconomic lines. Thanks, that really broadens my perspective. Curator: Indeed, and the exercise will bring depth to our future investigations, I am sure.

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