Lazarus at the Rich Man's Gate 1554

This engraving, Lazarus at the Rich Man's Gate, was made by Heinrich Aldegrever in the 16th century using a printmaking technique called "engraving". Engraving involves cutting lines into a metal plate, then inking the plate so that the ink sits within those lines. The plate is then pressed onto paper, transferring the image. In this work, the artist’s mastery is evident in the level of detail achieved. Through the precise control of line weight and density, Aldegrever creates a full tonal range, describing the textures of fabric, flesh, and stone. Consider how the division of labor is represented here: the labor of the kitchen staff contrasts sharply with the idle indulgence of the rich man and his guests. Even the act of making the print reflects this tension, as the skilled labor of the artist brings this scene of social inequality to life. Paying attention to materials and making allows us to fully understand the social commentary embedded within this print.