Designs for Three Friezes with Hunting Themes, Plate 9 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) by Stefano della Bella

Designs for Three Friezes with Hunting Themes, Plate 9 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) 1645 - 1650

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drawing, print, etching

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drawing

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baroque

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print

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etching

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dog

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landscape

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figuration

Dimensions: Sheet: 3 5/16 × 9 3/4 in. (8.4 × 24.8 cm)

Copyright: Public Domain

Curator: What immediately strikes me is the restless energy; the swirling foliage and the urgent figures convey a sense of relentless pursuit. Editor: This is "Designs for Three Friezes with Hunting Themes," a 17th-century etching by Stefano della Bella. We’re looking at Plate 9 from his series 'Decorative friezes and foliage' or Ornamenti di fregi e fogliami, created between 1645 and 1650. Della Bella’s life coincided with a period of great upheaval in Florence, particularly regarding issues of access to land. Curator: That's interesting, because hunting itself often symbolized power, specifically aristocratic privilege, in this era. Note how the hunters are depicted almost as extensions of the beasts they pursue. The figures are intertwined, blurring the line between predator and prey. The continuous frieze emphasizes this never-ending cycle. Editor: Yes, the visual vocabulary tells a clear story. Hunting imagery is traditionally linked to notions of masculinity and dominance. What strikes me as particularly potent is how della Bella has incorporated natural elements, specifically swirling acanthus leaves into the visual narrative, thereby drawing connections between human agency, ritualized actions, and the environment. One thing that would be beneficial for us to research would be Della Bella's financial situation during that period in Florence. He made a visit back to Florence following several years working in Rome for the Medici's; perhaps he was illustrating the challenges of aristocratic privilege? Curator: The dog appears repeatedly. A hunting dog represents loyalty and obedience. What statement is being made? Della Bella is deliberately choosing certain animals—each of these choices carries with it connotations and symbolic baggage related to existing systems of control and inequality. Editor: I agree. Seeing the animals not only within the context of landscape design but of political commentary broadens the range of perspectives. This pushes us to question accepted norms around class and identity. Curator: It reveals a rich layering of interpretations! By intertwining art, design, politics, and symbolism, Della Bella prompts us to consider our place in shaping and reinforcing our relationship to existing social norms. Editor: I concur. Examining how this image participates in reinforcing the legacy of power structures challenges any pre-set expectations that art serves an ultimately positive purpose.

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