Portret van een jonge dame met hoed in profiel naar links by Louis Bernard Coclers

Portret van een jonge dame met hoed in profiel naar links 1756 - 1817

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Dimensions: height 168 mm, width 134 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Louis Bernard Coclers' "Portret van een jonge dame met hoed in profiel naar links," created between 1756 and 1817, using pen and ink. I find the sketch intriguing, there’s a sense of fleeting elegance, and it seems very much of its time. How do you read this portrait? Curator: It’s a compelling window into the social construction of femininity during the late 18th century. Look at the detail placed on the elaborate hat, while her face remains rather generic. Consider how much of a woman's identity was tied to these markers of status and fashion, essentially dictating how she was seen and, therefore, how she could act in society. Does that resonate with contemporary discussions around performativity and identity? Editor: It definitely does. I see the emphasis on outward presentation mirroring today's social media pressures. The hat becomes almost a symbol of societal expectations. But do you think the artist is necessarily critical of this? Curator: It’s a nuanced point. Coclers was working within a patronage system. The portrait, with its stylish subject, caters to a particular audience. Yet, the sketch-like quality perhaps suggests a slight detachment, an awareness of the artificiality of the image. The gaze directed away also signifies the limitations on a young lady, whose world was domestic and whose ambitions, very limited. How does it feel to look back at these visual legacies now? Editor: It’s both fascinating and a little unsettling to see those constraints so clearly visualized. The art becomes a tool to analyze history and present struggles. Curator: Precisely! And remembering that history isn't a monolith. By analyzing the portrait, we're not just looking at a pretty picture, but engaging with a past that continues to shape our present conversations about gender, class, and representation. Editor: I will look at portraits from this period with an even greater awareness now. Thanks for pointing out what can be decoded within the work.

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