Untitled [woman seated in an armchair] 1955 - 1967

This ink drawing of a seated woman was created by Richard Diebenkorn, likely in the mid-20th century. Diebenkorn has made decisive marks on the page, using ink washes for areas of tone and thin lines to map out the figure’s contours. The stark contrast between the black ink and the white paper creates a bold, graphic image, immediate in its impact. Note how the fluidity of the ink allows for a dynamic interplay between control and chance. Splatters and drips, likely unplanned, add energy to the composition, activating the surface and preventing it from becoming static. The artist’s hand is evident in every stroke. There is a palpable sense of the artist's presence and the speed of execution. The drawing is imbued with a sense of process, reminding us of the intimate connection between artist, material, and the act of creation. This approach challenges any hierarchy between traditional fine art and more process-based practices, revealing the inherent beauty and expressive potential of simple materials.