Square Figure Relief by  Kenneth Armitage

Square Figure Relief 1954

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Dimensions: displayed: 1025 x 690 x 173 mm

Copyright: © The Kenneth Armitage Foundation | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Kenneth Armitage's "Square Figure Relief" presents us with a fascinating study in form and texture. The artist, who lived from 1916 to 2002, has rendered a striking portrait through this cast relief. Editor: The first thing that strikes me is its monumental presence despite its moderate scale; the rough surface gives it an almost ancient, weathered feel. Curator: Indeed, the roughness is key. Considering Armitage's context—post-war Britain—this work can be interpreted as grappling with the aftermath of conflict and the reshaping of identity. The abstracted face pushes back against traditional ideals. Editor: I see it as an emblem of resilience. The squared-off features, the way the light catches the high points—it speaks to the enduring human spirit, shaped by circumstance. It evokes a sense of ritual and something deeply rooted. Curator: Precisely, and that resonance is enhanced through Armitage's exploration of material and form, which he uses to confront complex socio-political realities. Editor: It leaves you pondering the stories embedded within its texture. Curator: A potent reminder of the individual within broader cultural shifts. Editor: Very well said.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/armitage-square-figure-relief-t00186

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tate 1 day ago

Between 1946 and 1956, Armitage began to work on single figures or groups of figures cast in bronze. This relief was made in Leeds while the artist was attached to the University there for two years as Gregory Fellow in Sculpture. According to Armitage it is a transitional work: 'My work since 1949 had been fairly consistent in character ... and I found it difficult to revert to bulky, solid or plastic work without rediscovering some of the old problems and indecisions of my earlier pre 1949 efforts. I didn't want to go back over this old ground.' At this time Armitage had made only two reliefs of which this was the second and the largest. It was made in an edition of three and is related to the Tate's, Seated Woman with Square Head, 1955-7. Gallery label, September 2004