Hooibergen bij een boerenhuis bij maanlicht 1876 - 1943

François Cachoud made "Hooibergen bij een boerenhuis bij maanlicht" with chalk on paper, and the way he’s built this scene is so process-oriented. You can really see the hand of the artist moving, almost like he's feeling his way through the moonlight. The color palette is muted – mostly grays and creams – but there are these tiny flecks of yellow that just barely catch the light. The texture of the chalk gives everything this soft, dreamy quality, like you could reach out and touch the fuzzy haystacks. The surface is built up with these layers of marks, and it's so interesting how the physicality of the medium really shapes the emotional experience. Look at the way he’s rendered the trees – scratchy, almost anxious lines – that contrast with the smoother, more solid forms of the buildings. It’s like looking at a nocturne by Whistler. Both artists invite us into a world of subtle tones and atmosphere, embracing ambiguity over clarity.