Caryatid; Rose and Blue 1912 - 1914

Amedeo Modigliani made this 'Caryatid; Rose and Blue' with what looks like watercolor and pencil, all about finding form. The blue dives right in, thick and juicy, setting up a rhythm against the delicate rose hues. It’s almost like he's carving the space with the blue, pushing and pulling against the gentler tones. Check out the way the blue bleeds and drips, not trying to be neat, but letting the medium do its thing – such a great way of allowing space for accidents. That single line defining the figure’s downturned face is so poignant. It’s a simple mark, but it carries so much weight, hinting at the Caryatid’s burden. Modigliani’s interest in the archaic reminds me of Picasso’s classical period, but it has an elegance all of its own. This isn't about perfection; it's about feeling and presence.