Twee dessus-de-portes en een schoorsteenstuk after 1703

These designs for overdoor and chimney pieces were created by Daniël Marot, a Huguenot designer who worked in the late 17th and early 18th centuries. Marot fled France due to the persecution of Protestants, eventually becoming a leading designer for William of Orange, and his style greatly influenced interior design across Europe. These prints offer a glimpse into the opulent aesthetic of the period. Notice the abundance of flowers, fruits, and classical figures. What does it mean to see women rendered as allegorical figures of abundance and nature? The imagery here promotes an ideal of beauty that equates to prosperity and fertility, reflecting the values of the aristocratic patrons who would have commissioned such designs. These images were intended to adorn the private spaces of the elite, subtly reinforcing social hierarchies through their very presence. They offer a window into how notions of gender, class, and power were carefully constructed and circulated.