Dimensions: image: 455 x 604 mm
Copyright: © Leon Kossoff | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have Leon Kossoff’s "Combing the Hair," a delicate etching from the Tate collection. The light, almost hesitant lines create an intimate scene. What strikes you most about it? Curator: It's fascinating how Kossoff, a Jewish artist, engages with themes of domesticity and intimacy within a historical context of displacement and marginalization. How does this quiet act of care challenge or subvert traditional representations of women? Editor: That's a great question. I hadn't considered the quiet act as a counter-narrative. Curator: Exactly! And consider the power dynamics inherent in acts of service. How does Kossoff navigate these complexities with such spare lines? It leaves us with much to ponder. Editor: Definitely makes you rethink the image. Thanks! Curator: My pleasure!
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http://www.tate.org.uk/art/artworks/kossoff-combing-the-hair-la-coiffure-p11697
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This print is one of many etchings executed by Leon Kossoff in response to, and literally in the presence of, oil paintings by other artists; in this case Combing the Hair ('La Coiffure'), about 1896, by Edgar Degas (1834-1917), owned by the National Gallery, London. This print was never published as an edition; Tate owns the second trial proof which is printed in black ink on white paper.