The Nativity 1520s - 1530s

This print, The Nativity, was made in the mid-16th century by Master JG, using engraving. This process involves incising a design onto a metal plate, inking it, and then pressing it onto paper. Notice how the architectural setting is so carefully rendered, almost like a stage set? The columns and arches, rendered with such precision, create a sense of depth and space. Look at the way the artist uses line to create the illusion of light and shadow, giving the scene a sense of drama and depth. But it’s the scaffolding to the left that’s most remarkable. It’s a reminder of the labor and construction that underpins even the most sacred spaces. It’s almost as if Master JG is reminding us that even the divine is built upon human effort and ingenuity. By focusing on the process of engraving, and by drawing our attention to the built environment and the labor involved, we can appreciate how this print bridges the gap between the fine arts and the world of craft and making.