Petrus als eerste paus 1633 - 1673

Coenraet Waumans created this monochrome engraving titled, "Petrus als eerste paus," sometime in the 17th century. The structured composition centers on St. Peter, framed by cherubic figures and rich ornamentation. The engraving’s strength lies in its detailed use of line and form. Notice the symmetrical arrangement; the central figure is flanked by balanced decorative elements. The cherubs, while adding a baroque flourish, also serve to direct the viewer's gaze inward, emphasizing St. Peter's commanding presence. Waumans employs a classical semiotic system. St. Peter, with his halo, papal attire and keys, signifies religious authority, and evokes an era of theological debates. The cherubs are not merely decorative, but symbols of divine messengers. The architectural frame itself denotes a kind of sacred space, setting the scene apart from the everyday. The engraving's formal qualities are not just aesthetic choices, but tools for constructing and reinforcing a specific worldview.