Dimensions: height 90 cm, width 69 cm
Copyright: Rijks Museum: Open Domain
This portrait of a young boy, possibly Louis of Nassau, was made anonymously with oil on panel. Although the identity of the artist is unknown, they likely came from a fine art painting tradition. But I find my eye drawn to other forms of making: the child’s clothing. Look closely and you’ll see the lace on the boy’s collar and bonnet. This was bobbin lace, made using a complex process involving many bobbins to interweave threads, and was a specialized craft, often done by women working at home. It was an incredibly labor-intensive process that gave rise to a valuable commodity; its qualities of delicacy and transparency indicate the wealth of the wearer. The great contrast between the slow-made lace and the facility of oil paint reveals a lot about the social economy of the time. It reminds us that we should look beyond the canonical traditions of fine art to appreciate the full range of creative activity on display here.
This sitter is probably Louis of Nassau, an illegitimate son of Maurice. He is depicted wearing a gold medal bearing a portrait of his father. This medal was struck to celebrate the Capture of Grave in 1602. Louis was born at that time and is eighteen months old in this portrait. Did Maurice dedicate his victory to his youngest scion?
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