Ex libris van D. Goedkoop 1917

Editor: Here we have Carel Adolph Lion Cachet’s "Ex libris van D. Goedkoop," a woodcut print created in 1917. It has a sort of heraldic quality, like a family crest. What historical context might have shaped its creation? Curator: Absolutely. Given the socio-political climate of 1917, amidst the turmoil of World War I, such personal emblems become fascinating. This “Ex libris,” a bookplate, speaks to a desire for identity and belonging amidst global upheaval. We see the influence of Art Nouveau and Symbolism, both movements grappling with rapid industrialization and searching for meaning beyond the purely materialistic. Notice how the ship isn’t just a ship; it’s laden with figures and seems almost allegorical. What readings do you think it suggests? Editor: Maybe it's a symbol of navigating troubled waters? I also notice what appear to be stylized dolphins. Were there common meanings associated with them? Curator: The dolphins, coupled with the ship motif, absolutely tie into navigation and safe passage. These are visual metaphors laden with classical allusions and also recall early trade. "Goedkoop" means "cheap" in Dutch; do you consider that word relevant or a misdirection? Also, note that it’s an ex libris, made to be pasted inside a book. Editor: Wow. "Goedkoop" as "cheap" does seem like an odd last name! Maybe there’s some commentary on the value of knowledge, contained within a book? It is all a very striking, dense set of symbolic layers. I will be reflecting more about this work in socio-political and class terms. Curator: Exactly. And that’s precisely how art can function – as a mirror reflecting both personal desires and larger societal forces. Thank you for helping me examine my assumptions and interpretations as well.