Untitled 1940

Tom Lovell painted this untitled illustration, we think in the 1940s, using confident brushstrokes and an earthy but limited palette of grey, black, red, and white. I can imagine Lovell at his easel, building up thin layers of paint, starting with a sketch, and then gradually adding detail and depth. The smooth surface makes me think the paint is pretty thin, almost like watercolour. He was probably thinking about light and shadow, trying to create a sense of drama and intrigue. I bet he was having a lot of fun. The bold strokes in the background, evoking a raging fire, give the scene a real sense of urgency. I find myself wondering what is happening, what has this woman seen? Lovell reminds me of Norman Rockwell. Both artists explore narrative and use strong chiaroscuro. I think they would have loved to talk shop about illustration, sharing techniques and maybe a joke or two. It is great when artists can inspire each other.